![]() ![]() Differing system equipment is well worth both buyer & seller checking out in the pre-purchase stuff. And was I gonna be ok with it all? Best safeguard for the seller to have covered himself on all bases I reckon ,and for me to have been kept excellently, well-informed, rather than suffer disappointment upon receipt of it, and it maybe not adhering to what I thought of as whatever condition it was advertised as. Certainly was well worth waiting out my impatient eagerness to get it over and done with - by paying up as soon as I could (paying round $70 for it) - to actually have ascertained before paying (there was always the offer to cancel), exactly what I was buying. I'd never had a seller double-check this stuff with me before I went to near-complete the transaction from my end by paying. How interesting, because for the first time on one of my most recent purchases (and they seem to be climbing out of the beginning $2.00 CDs I think I started buying on Discogs, and am now seeming to move into bloody $40.00-50.00 territory!), the seller, before invoicing, whilst we were ascertaining p/p and all that, also mentioned that whilst it sounded great via his non-elliptical stylus (no crackles, clean sound thus), that if I had an elliptical one (which I do), it might just have a few crackles. īuyers and Sellers dont all use the same equipment nor do they have the same setup, situation, grounding, stability, etc etc. ) When I explained this to him, he was surprised and never knew that a plastic turntable with a plastic needle would skip when you vibrated it. every time he would walk with the camera, the record would skip. He had it sitting slanted on a shelf hanging loosely mounted on the wall. literally was a childs toy with a plastic needle. I swear, it was a $15 turntable that you would but on a clearance rack at Walmart. Long story short, he sends me a video of the records on the turntable. ![]() I knew for a fact that they were all fine. and some of these were from my personal collection. I had a guy once that bought like 20 records and complained (in broken english), that the records all jumped and he was threatening me with bad feedback. There should be some type of standard class turntable when it comes to grading. I'd appreciate any comments about how to go forward and this statement about 'badly scratched records playing perfectly on high end decks' which sounds like a load of hogwash. The order wasn't expensive but it's all about principal for me. They have offered a full refund on receipt of the record but I feel misled & thus don't believe I should have to pay to return because I didn't get what I paid for. I specifically asked them before buying about how the record played and they assured me there were no problems. Some high end decks pick up every slight blemish and others play badly scratched records perfect." I am sorry that your decks are picking up noise but like I say when I played the record on my decks it played fine. I immediately brought this issue to their attention and even provided them with a soundbyte of the audio defects. Personally I would've graded it 'VG' at best. I received a mis-graded 'VG+' record today which shows more than the usual signs of wear and has some audible surface noise (pops), mostly on 2 tracks. The mission is to provide top-notch sound effects and source recordings in high definition.Having had a few bad buying experiences I thought I'd take a chance this time with a reputable UK seller. Each and every sound is high quality recorded and the libraries come for a very clear budget.Īll BOOM Library products are royalty free, which means you get unlimited sync rights with every purchase. Both sound professionals and beginners appreciate the BOOM products. The products have this specific edge you will not find anywhere else: every collection comes with a 96 kHz high definition huge source library of their original recordings + a great variety of pre-designed SFX, ready to use.įor more than a decade, their sound libraries have travelled the multicolored world of films, series and gaming and left bright traces in projects such as “Star Wars Jedi: Fallen Order” and “Fortnite” or trailers for “The Mandalorian”, “Battlefield V”, “Black Panther”, “La La Land”, “Rogue One” (…) – just to name a few. The BOOM Library prides itself on providing high-end, ultimate sound libraries for all media and audio professionals. The BOOM Library was founded in 2010 by award-winning audio guys from Dynamedion, the biggest European game audio studio based in Mainz, Germany.
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